James Brown & Pavarotti

James Joseph Brown, Jr. (May 3, 1933 – December 25, 2006) was an American entertainer. He is recognized as one of the most influential figures in 20th century popular music and was renowned for his vocals and feverish dancing.

As a prolific singer, songwriter, dancer and bandleader, Brown was a pivotal force in the music industry. He left his mark on numerous artists. Brown's music also left its mark on the rhythms of African popular music, such as afrobeat, jùjú and mbalax,[4] and provided a template for go-go music.

Brown began his professional music career in 1953 and rose to fame during the late 1950s and early 1960s on the strength of his thrilling live performances and string of smash hits. In spite of various personal problems and setbacks he continued to score hits in every decade through the 1980s. In addition to his acclaim in music, Brown was also a presence in American political affairs during the 1960s and 1970s.

Brown was recognized by numerous titles, including Soul Brother Number One, Sex Machine, Mr. Dynamite, The Hardest Working Man in Show Business, The King of Funk, Minister of The New New Super Heavy Funk, Mr. Please Please Please Please Her, The Boss and foremost the Godfather of Soul.

Luciano Pavarotti Cavaliere di Gran Croce OMRI (12 October 1935 – 6 September 2007) was an Italian operatic tenor, who also crossed over into popular music. He was the most commercially successful tenor of all. He was one of "The Three Tenors" and became well known for his televised concerts and media appearances. Pavarotti was also noted for his charity work benefiting refugees, the Red Cross and other causes.

Pavarotti began his professional career as a tenor in 1961 in Italy. He sang in opera houses in The Netherlands, Vienna, London, Ankara, Budapest and Barcelona. The young tenor earned valuable experience and recognition while touring Australia at the invitation of soprano Joan Sutherland in 1965. He made his US debut in Miami soon afterwards, also on Sutherland's recommendation. His position as a leading tenor was consolidated in the years between 1966 and 1972, during which time he first appeared at Milan's La Scala and other major European houses. In 1968, he debuted at New York City's Metropolitan Opera with La fille du régiment, earning considerable acclaim with his "high C" and leading to worldwide fame for the brilliance and beauty of his tone, especially into the upper register.

Whitney Houston, CeCe Winans and Shirley Caesar Gospel Medley

Whitney Elizabeth Houston (born August 9, 1963) is an American singer, songwriter, actress, record producer, film producer, and former fashion model. Houston rose to international fame in the mid-1980s and her crossover success opened doors for many other African American women to find success in pop music and movies. She has been referred to as "The Voice", and is known for her "powerful, penetrating pop-gospel voice".

Priscilla Winans Love (born on October 8, 1964) and known professionally as CeCe Winans, is an American Gospel singer and winner of numerous Grammy Awards and Stellar Awards. CeCe began her solo career with the Gold certified album Alone in His Presence. It was released in 1995 and earned her a Grammy Award and 2 Dove Awards including the Female Vocalist of the Year, an award she earned again in 1997. Winans' next release, Everlasting Love was released in 1998. The song "On That Day" from the album was written and produced by R&B singer Lauryn Hill. Later that year, Winans released His Gift a holiday album.

Shirley Caesar (born October 13, 1938 in Durham, North Carolina) is an American Gospel music singer. She is a multi-award winner with eleven Grammy awards and seven Dove awards to her credit. She is a graduate of Shaw University with a degree in Business Administration. She also received an honorary doctorate from Shaw University and another one from Southeastern University. Pastor Shirley has recorded over forty albums since the 60s exploring her gift and spreading messages of faith. She has participated in over 16 compilations and three gospel musicals, Mama I Want to Sing, Sing: Mama 2, and Born to Sing: Mama 3.

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The Temptations, One of Motown's Best!

The Temptations (sometimes abbreviated as The Temps or The Tempts) are an American vocal group that achieved fame as one of the most successful acts to record for Motown Records. The group's repertoire has included, at various times during its five-decade career, R&B, doo-wop, funk, disco, soul, and adult contemporary music.

Formed in Detroit, Michigan in 1960 as The Elgins, the Temptations have always featured at least five African American male vocalists/dancers. The group, known for its recognizable choreography, distinct harmonies, and onstage suits, has been said to be as influential to soul as The Beatles are to pop and rock. Having sold an estimated 22 million albums by 1982, The Temptations are one of the most successful groups in music history and were the definitive male vocal group of the 1960s. In addition, they have the second-longest tenure on Motown (behind Stevie Wonder), as they were with the label for a total of 40 years: 16 years from 1961 to 1977, and 24 more from 1980 to 2004 (from 1977 to 1980, they were signed to Atlantic Records). As of 2008, the Temptations continue to perform and record for Universal Records with the one living original member, founder Otis Williams, still in its lineup.

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Shizumi and Kodomo Dance Troupe - Sunday, Feb 8, 4pm at Round House Theatre

Lumina Studio Theatre & Carpe Diem Arts present

SHIZUMI SHIGETO MANALE
From Kyogen and Noh to Samurai and Kimono
Two Millennia of Japanese Dance, Theater, Music & Literature

Also featuring THE SHIZUMI KODOMO DANCE TROUPE

Sunday, February 8, 2009 ~ 4 pm - Round House Theatre

A one-hour performance with Shizumi, also featuring the Shizumi Kodomo Dance Troupe ~ followed by a five-minute trailer of the film "Pictures from a Hiroshima Schoolyard: Seeds of Hope"

Proceeds will benefit Shizumi's documentary film project directed by local filmmaker Bryan Reichhardt.

NOTE: Following the performance, audience members can opt to stay for a slide showing of photos by Elliot Berlin, Ann Riley and Lauren Poor ~ from SHOGUN CAESAR (Julius Caesar set in feudal Japan), produced in December by Lumina Studio Theatre in partnership with Shizumi and Pyramid Atlantic

Admission $15 /$25 benefit tickets

Tickets available at www.brownpapertickets.com and at the door ~ space permitting

For more information please contact Busy Graham at 301-466-0183 or busygraham@gmail.com

Visit shizumidance.com ~ kodomodance.org ~ boru.net ~ ClassActsArts.org

Ruby Dee performs her poem, "Daughter", as Odetta plays "When I Was A Young Girl

Ruby Dee performs her poem, "Daughter", as Odetta plays "When I Was A Young Girl." Aired in 1981.

Ruby Dee (born 27 October 1924) is an American actress, poet, playwright, screenwriter, journalist, and activist. Dee made several appearances on Broadway before receiving national recognition for her role in the 1950 film The Jackie Robinson Story. Her career in acting has crossed all major forms of media over a span of eight decades, including the films A Raisin in the Sun, in which she recreated her stage role as a suffering housewife in the projects, and Edge of the City. She played both roles opposite Sidney Poitier. During the 1960s, Dee appeared in such politically charged films as Gone Are the Days and The Incident, which is recognized as helping pave the way for young African-American actors and filmmakers. She was nominated for an Academy Award for Best Supporting Actress in 2007 for her portrayal of Mama Lucas in American Gangster. She won the SAG award for the same performance. At 83 years old, Dee is currently the second oldest nominee for Best Supporting Actress, behind Gloria Stuart who was 87 for her role in Titanic.

Odetta Holmes, (December 31, 1930 – December 2, 2008), known as Odetta, was an American singer, actress, guitarist, songwriter, and a human rights activist, often referred to as "The Voice of the Civil Rights Movement". Her musical repertoire consisted largely of American folk music, blues, jazz, and spirituals. An important figure in the American folk music revival of the 1950s and 1960s, she was influential musically and ideologically to many of the key figures of the folk-revival of that time, including Bob Dylan, Joan Baez, Mavis Staples, and Janis Joplin.

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Bill Cosby, American Comedian, Actor, Author and More

William Henry Cosby Jr., Ed.D. (born July 12, 1937) is an American comedian, actor, author, television producer and activist. A veteran stand-up performer, he got his start at various clubs, then landed a vanguard role in the 1960s action show I Spy. He later starred in his own series, The Bill Cosby Show, in 1969. He was one of the major characters on the children's television show The Electric Company for its first two seasons, and created the humorous educational cartoon series Fat Albert and the Cosby Kids, about a group of young friends growing up in the city. Cosby also acted in numerous films.

During the 1980s, Cosby produced and starred in what is considered one of the decade's defining sitcoms, The Cosby Show, which lasted eight seasons from 1984 to 1992, and is still seen in syndication. The sitcom highlighted the experiences and growth of an upper middle-class African-American family. He also produced the hit sitcom A Different World, which became second to The Cosby Show in ratings.

In the 1990s, Cosby starred in Cosby, which aired from 1996 to 2000, and during the show's last two seasons, hosted Kids Say the Darndest Things, and appeared in a number of movies. He has also appeared on the stand-up circuit.

His good-natured, fatherly image has made him a popular personality and garnered him the nickname of "America's Dad". He has also been a sought-after spokesman and over the years has plugged numerous products including Jell-O Pudding, Kodak Film, Ford, Texas Instruments and Coca-Cola (as well as New Coke).

In 2002, scholar Molefi Kete Asante listed Bill Cosby on his list of 100 Greatest African Americans.

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Barack Obama Inauguration - Aretha Franklin - Sings 'America' My Country Tis Of Thee

Aretha Louise Franklin (born March 25, 1942) is an American singer, songwriter and pianist commonly referred to as "The Queen of Soul"[1]. Although renowned for her soul recordings, Franklin is also adept at jazz, rock, blues, pop, R&B and gospel. She is widely acclaimed for her passionate vocal style and powerful range. In 2008, the American music magazine Rolling Stone ranked Franklin #1 on its list of The Greatest Singers of All Time.

Franklin is one of the most honored artists by the Grammy Awards, with 18 wins to date, as well as the Living Legend Grammy and the Lifetime Achievement Grammy. She also sang at the presidential inauguration of 44th President of the United States Barack Obama. She has scored a total of 20 #1 singles on the Billboard R&B Singles Chart, two of which also became #1 hits on the Billboard Hot 100: "Respect" (1967) and "I Knew You Were Waiting (For Me)" (1987), a duet with George Michael. Since 1961, Franklin has scored a total of 45 "Top 40" hits on the Billboard Hot 100 chart.

In 1987, Franklin became the first female artist to be inducted into the Rock and Roll Hall of Fame.

Me and Bobby McGee by Charlie Pride

Charley Frank Pride (born March 18, 1938) is a country music artist. During his career, he has had thirty-six number-one hits on the Billboard Hot Country Songs charts. He is one of the few African-American country musicians to have had considerable success in the largely Caucasian country music industry and the only one to be inducted into the Grand Ole Opry.

Pride was born in Sledge, Mississippi, one of eleven children of poor sharecroppers. His father named him "Charl Frank Pride", but because of an error on his birth certificate, his legal name is Charley Frank Pride. In his early teens, Pride began playing guitar.

Though he also loved music, one of Pride's life-long dreams was to become a professional baseball player. In 1952, he pitched for the Memphis Red Sox of the Negro American League. He pitched well, and, in 1953, he signed a contract with the Boise Yankees, the Class C farm team of the New York Yankees. During that season, an injury caused him to lose the "mustard" on his fastball, and he was sent to the Yankees' Class D team in Fond du Lac, Wisconsin. Later that season, while in the Negro Leagues with the Louisville Clippers, he and another player (Jesse Mitchell), were traded to the Birmingham Black Barons for a team bus. "Jesse and I may have the distinction of being the only players in history to be traded for a used motor vehicle," Pride mused in his 1994 autobiography.

Jessye Norman And Kathleen Battle

Jessye Norman (born September 15, 1945) is a four-time Grammy Award-winning African American opera singer. Norman is one of the most admired contemporary opera singers and recitalists, and is one of the highest paid performers in classical music. A true dramatic soprano with a majestic stage presence, Norman is associated in particular with the roles of Aïda, Cassandre, Alceste, and Leonora in Fidelio. Norman is known for the direct and emotionally expressive qualities of her singing and for her formidable intellectual understanding of the music and its style, as well as first-rate musicianship. As a performer, she is known for her magnetic and dramatic personality, and, with her imposing physical presence, cuts an impressive, "just enormous" figure before audiences. According to Curt Sanburn in Life, Norman on stage creates the perception of one who "veritably looms behind her lyrics." Norman's public manner combines an apparent hauteur with flashes of disarming humor, putting her squarely in the venerable operatic tradition of the Diva, to the extent that many credit her as the inspiration for the title character in the 1981 French film Diva.

Kathleen Battle (born August 13, 1948, Portsmouth, Ohio, USA) is an African-American soprano known for her agile and light voice and her silvery, pure tone. One of the most prominent recitalists and opera singers of her generation, she is admired for her wide ranging recital repertoire and performances of the operas of Handel and Mozart. Battle initially became known for her work within the concert repertoire through performances with major orchestras during the early and mid 1970s. She made her opera debut in 1975 and by the early 1980s had become a favorite at many of the world's best opera houses within the soubrette repertoire. Battle expanded her repertoire into light lyric soprano and lyric coloratura soprano roles during the 1980s and early 1990s. In 1985, Michael Walsh of Time magazine called her the best lyric coloratura in the world. Although she no longer appears in operas, Battle remains active in concert and recital performances.

Hank Crawford, Musician-Arranger Collaborated With Ray Charles - 1934 - 2009

By Terence McArdle, Washington Post Staff Writer, Tuesday, February 3, 2009; B06

Hank Crawford, 74, an influential alto saxophonist and arranger who toured with rhythm and blues innovator Ray Charles and jazz organist Jimmy McGriff, died Jan. 29 at his home in Memphis. He had been in declining health after suffering a stroke in 2000.

Mr. Crawford was best known for the plaintive, bluesy quality he brought to the alto saxophone. Critics regarded Mr. Crawford as one of the best exponents of soul-jazz, a style that explored the connections of jazz to its roots in gospel music and the blues.

"You can honk or squeal on a tenor sax and get away with it," he once told jazz writer Cam Miller, "but an alto sax was meant to sing. . . . When I pick up my horn, I'm never far away from voices in the church choir I grew up with."

Mr. Crawford wrote several instrumentals for the Charles band, including "Sherry," recorded for the live album "Ray Charles at Newport" (1959). Backed by the Charles group, he recorded his first album, "The Art of Hank Crawford" (1960), the first of several he made for Atlantic Records.

Mr. Crawford left the Charles band to form his own septet in 1963 and continued to record as a leader for the next three decades. He was also in demand for recording sessions by such artists as Etta James and Lou Rawls as both an accompanist and arranger.

Bennie Ross Crawford Jr. was born Dec. 21, 1934, in Memphis. He started taking piano lessons at 9 and within a year was playing for a church choir.

Mr. Crawford took up alto saxophone while in his high school jazz band, where classmates included jazz notables such as pianist Harold Mabern and tenor saxophonist George Coleman. By graduation, Mr. Crawford was working professionally with local Memphis performers Ike Turner, B.B. King and Bobby "Blue" Bland.

While majoring in music theory and composition at Tennessee State University in Nashville, he also led a quartet he called Little Hank and the Rhythm Kings. The group recorded a jump blues single for a small local label in 1956, with Mr. Crawford on vocals.

Mr. Crawford joined the Charles band in 1958 as a substitute for baritone saxophonist Leroy Cooper. Two years later, Charles expanded his ensemble to a big band and made Mr. Crawford its band director. On alto sax, Mr. Crawford shared the solo spotlight with tenor saxophonist David "Fathead" Newman, who died Jan. 20.

"Ray was tough, a real general, but the only thing he really demanded is that you get it right," Mr. Crawford said of Charles. "And sometimes that meant playing it so slowly, it had no tempo at all . . . no beat at all, yet it was always in time. . . . I already knew how to write [arrangements] when I was hired by Ray, but I had no idea such a natural feeling would exist between us."

His nine-year association with Atlantic Records yielded a bluesy hit that crossed over to rhythm and blues radio, "The Peeper" (1962). In an entirely different vein, he recorded an easy-listening album of standards and recent pop hits, "The Soul of the Ballad" (1963).

In the 1970s he recorded extensively for producer Creed Taylor's Kudu label and allowed others to arrange his material. Taylor, who brought guitarist George Benson and saxophonist Grover Washington to a wider audience, combined Mr. Crawford's earthy sax with layers of horns, keyboard synthesizers, strings and background voices. Jazz critics dismissed the records as commercial, and the sales proved them right.

Mr. Crawford returned to soul-jazz in later years, co-leading groups with Newman and organist Jimmy McGriff.

His wife, the former Gladys Brooks, died in the late 1990s. Survivors include two children; six siblings; and a granddaughter. Mr. Crawford said he took pride in his commercial success and his way with an audience.

"I found out as a young musician in Memphis that if you weren't reaching people, and having them pat their foot, then there was nothing happening," he told the Los Angeles Times. "So I've always played for the average listener, rather than the jazz die-hard."

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